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Two-dimensional art consists of paintings, drawings, prints, and photographs, which differ from each other primarily in the technique of their execution. Probably, our initial response to all four is a response to subject matter--that is, we first notice what the painting, drawing, print, or photograph is about. Such recognition leads us into the work's meaning and begins to shape our response to it. Beyond the recognition of subject, however, lie the technical elements chosen by artists to make their vision appear the way they wish it to appear, and these include MEDIA and COMPOSITION.
Media
The media of the two-dimensional arts are paintings, drawings, prints, and photography. Paintings and drawings can be executed with oils, watercolors, tempera, acrylics, ink, and pencils, to name a few of the more obvious. Each physical medium has its own characteristics. As an example, let us look at oils.
Oils are one of the most popular of the painting media and have been since their development around the beginning of the fifteenth century. They offer artists a broad range of color possibilities; they do not dry quickly and can, therefore, be reworked; they present many options for textural manipulation; and they are durable. Look at the texture in the brushwork of Van Gogh's (van-GOH or van GAHK) The Starry Night (see Fig. 16.21). This kind of manipulation is a characteristic of oil. Whatever the physical medium--that is, painting, drawing, print, or photograph--we can find identifiable characteristics that shape the final work of art. Had the artist chosen a different physical medium, the work--all other things being equal--would not look the same.
Composition
The second area we can isolate and respond to involves artists' use of the elements and principles of composition. These are the building blocks of two-dimensional works of art. Among others, these elements and principles include LINE, FORM, COLOR, REPETITION, and BALANCE.
Media
The media of the two-dimensional arts are paintings, drawings, prints, and photography. Paintings and drawings can be executed with oils, watercolors, tempera, acrylics, ink, and pencils, to name a few of the more obvious. Each physical medium has its own characteristics. As an example, let us look at oils.
Oils are one of the most popular of the painting media and have been since their development around the beginning of the fifteenth century. They offer artists a broad range of color possibilities; they do not dry quickly and can, therefore, be reworked; they present many options for textural manipulation; and they are durable. Look at the texture in the brushwork of Van Gogh's (van-GOH or van GAHK) The Starry Night (see Fig. 16.21). This kind of manipulation is a characteristic of oil. Whatever the physical medium--that is, painting, drawing, print, or photograph--we can find identifiable characteristics that shape the final work of art. Had the artist chosen a different physical medium, the work--all other things being equal--would not look the same.
Composition
The second area we can isolate and respond to involves artists' use of the elements and principles of composition. These are the building blocks of two-dimensional works of art. Among others, these elements and principles include LINE, FORM, COLOR, REPETITION, and BALANCE.